Music Perception: An Interdisciplinary Journal: 7 (1)

New Submission Type

Vol. 7 No. 1, Fall, 1989

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Front Matter
DOI: 10.2307/40285444
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Back Matter
DOI: 10.2307/40285451
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Absolute Pitch Identification: Effects of Timbre and Pitch Region
Ken'ichi Miyazaki

(pp. 1-14) DOI: 10.2307/40285445
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Composer-Specific Aspects of Musical Performance: An Evaluation of Clynes's Theory of Pulse for Performances of Mozart and Beethoven
William Forde Thompson

(pp. 15-42) DOI: 10.2307/40285446
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The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice
David Huron, Deborah A. Fantini

(pp. 43-47) DOI: 10.2307/40285447
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Tonality, Tonal Scheme, and Contour in Delayed Recognition of Tone Sequences
W. L. M. Croonen, P. F. M. Kop

(pp. 49-67) DOI: 10.2307/40285448
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Review
Hellmuth Petsche

(pp. 69-70) DOI: 10.2307/40285449
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Review
Lola L. Cuddy

(pp. 70-74) DOI: 10.2307/40285450