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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 35 No. 5, June 2018

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    Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music
    Kirk N. Olsen, William Forde Thompson, Iain Giblin
    (pp. 527-539) DOI: 10.1525/mp.2018.35.5.527
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    The Lone InstrumentMusical Solos and Sadness-Related Features
    Niels Chr. Hansen, David Huron
    (pp. 540-560) DOI: 10.1525/mp.2018.35.5.540
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    Are Musical Autobiographical Memories Special? It Ain’t Necessarily So
    Andrea R. Halpern, Jennifer M. Talarico, Nura Gouda, Victoria J. Williamson
    (pp. 561-572) DOI: 10.1525/mp.2018.35.5.561
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    Repetition Enhances the Musicality of Speech and Tone Stimuli to Similar Degrees
    Adam Tierney, Aniruddh D. Patel, Mara Breen
    (pp. 573-578) DOI: 10.1525/mp.2018.35.5.573
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    Early Childhood Music Training and Associated Improvements in Music and Language Abilities
    Sean Hutchins
    (pp. 579-593) DOI: 10.1525/mp.2018.35.5.579
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    The Online Processing of Implied Harmony in the Perception of Tonal MelodiesEffects of Harmonic Expectations
    Jung Nyo Kim, Edward W. Large, Yeongjin Gwon, Richard Ashley
    (pp. 594-606) DOI: 10.1525/mp.2018.35.5.594
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    Did You Hear the Vocalist? Differences in Processing Between Short Segments of Familiar and Unfamiliar Music
    Shannon L. Layman, W. Jay Dowling
    (pp. 607-621) DOI: 10.1525/mp.2018.35.5.607
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Music Perception: An Interdisciplinary Journal: 35 (5)
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  • Pleasant Musical Imagery
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Musical Activity and Well-being
  • Examining the Effect of Oral Transmission on Folksongs
  • The Distinctiveness Effect in the Recognition of Whole Melodies
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