Skip to main content

  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
    • Registered Reports
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
    • Registered Reports
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us
Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 30 No. 2, December 2012

  • You have accessRestricted access
    Perception of Dyads of Impulsive and Sustained Instrument Sounds
    Damien Tardieu, Stephen McAdams
    (pp. 117-128) DOI: 10.1525/mp.2012.30.2.117
  • You have accessRestricted access
    The Science of Singing Along: A Quantitative Field Study on Sing-along Behavior in the North of England
    Alisun Pawley, Daniel Müllensiefen
    (pp. 129-146) DOI: 10.1525/mp.2012.30.2.129
  • You have accessRestricted access
    The Vocal Generosity Effect: How Bad Can Your Singing Be?
    Sean Hutchins, Catherine Roquet, Isabelle Peretz
    (pp. 147-159) DOI: 10.1525/mp.2012.30.2.147
  • You have accessRestricted access
    The Song Remains the Same: A Replication and Extension of the MUSIC Model
    Peter J. Rentfrow, Lewis R. Goldberg, David J. Stillwell, Michal Kosinski, Samuel D. Gosling, Daniel J. Levitin
    (pp. 161-185) DOI: 10.1525/mp.2012.30.2.161
  • You have accessRestricted access
    The Role of Visual Feedback and Creative Exploration for the Improvement of Timing Accuracy in Performing Musical Ornaments
    Renee Timmers, Makiko Sadakata, Peter Desain
    (pp. 187-204) DOI: 10.1525/mp.2012.30.2.187
  • You have accessRestricted access
    Distortions in Reproduction of Two-Interval Rhythms: When the “Attractor Ratio” Is Not Exactly 1:2
    Bruno H. Repp, Justin London, Peter E. Keller
    (pp. 205-223) DOI: 10.1525/mp.2012.30.2.205
Back to top

PreviousNext

In this issue

Music Perception: An Interdisciplinary Journal: 30 (2)
  • Table of Contents
  • Table of Contents (PDF)
  • Cover (PDF)
  • Back Matter (PDF)
  • Front Matter (PDF)
eTOC Alert

RSSRSS Icon

  • Tweet Widget
  • Facebook Like
  • Google Plus One
  • Most Read
Loading
  • Pleasant Musical Imagery
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Musical Activity and Well-being
  • Examining the Effect of Oral Transmission on Folksongs
  • The Distinctiveness Effect in the Recognition of Whole Melodies
More...

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Subscriptions and Single Issues

Copyright © 2019 by the Regents of the University of California  Privacy   Accessibility