Music Perception: An Interdisciplinary Journal: 29 (3)

Vol. 29 No. 3, December 2011

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The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study
Haruka Shoda, Mayumi Adachi

(pp. 237-254) DOI: 10.1525/mp.2012.29.3.237
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Working Memory for Tonal and Atonal Sequences during a Forward and a Backward Recognition Task
Katrin Schulze, W. Jay Dowling, Barbara Tillmann

(pp. 255-267) DOI: 10.1525/mp.2012.29.3.255
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The Role of Formal Structure in Liking for Popular Music
Jonathan J. Rolison, Judy Edworthy

(pp. 269-284) DOI: 10.1525/mp.2012.29.3.269
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Intersecting Factors Lead to Absolute Pitch Acquisition That is Maintained in a “Fixed do” Environment
Sarah J. Wilson, Dean Lusher, Catherine L. Martin, Genevieve Rayner, Neil McLachlan

(pp. 285-296) DOI: 10.1525/mp.2012.29.3.285
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Effect of Enculturation on the Semantic and Acoustic Correlates of Polyphonic Timbre
Vinoo Alluri, Petri Toiviainen

(pp. 297-310) DOI: 10.1525/mp.2012.29.3.297
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Who Enjoys Listening to Sad Music and Why?
Jonna K. Vuoskoski, William F. Thompson, Doris McIlwain, Tuomas Eerola

(pp. 311-317) DOI: 10.1525/mp.2012.29.3.311
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Review
W. Jay Dowling

(pp. 319-321) DOI: 10.1525/mp.2012.29.3.319
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Dirk-Jan Povel (1940-2011)
Mari Riess Jones, Richard D. Ashley

(pp. 323-324) DOI: 10.1525/mp.2012.29.3.323
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Steve Larson (1955-2011)
Elizabeth West Marvin

(p. 325) DOI: 10.1525/mp.2012.29.3.325

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