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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 29 No. 3, December 2011

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    The Role of a Pianist's Affective and Structural Interpretations in his Expressive Body Movement: A Single Case Study
    Haruka Shoda, Mayumi Adachi
    (pp. 237-254) DOI: 10.1525/mp.2012.29.3.237
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    Working Memory for Tonal and Atonal Sequences during a Forward and a Backward Recognition Task
    Katrin Schulze, W. Jay Dowling, Barbara Tillmann
    (pp. 255-267) DOI: 10.1525/mp.2012.29.3.255
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    The Role of Formal Structure in Liking for Popular Music
    Jonathan J. Rolison, Judy Edworthy
    (pp. 269-284) DOI: 10.1525/mp.2012.29.3.269
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    Intersecting Factors Lead to Absolute Pitch Acquisition That is Maintained in a “Fixed do” Environment
    Sarah J. Wilson, Dean Lusher, Catherine L. Martin, Genevieve Rayner, Neil McLachlan
    (pp. 285-296) DOI: 10.1525/mp.2012.29.3.285
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    Effect of Enculturation on the Semantic and Acoustic Correlates of Polyphonic Timbre
    Vinoo Alluri, Petri Toiviainen
    (pp. 297-310) DOI: 10.1525/mp.2012.29.3.297
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    Who Enjoys Listening to Sad Music and Why?
    Jonna K. Vuoskoski, William F. Thompson, Doris McIlwain, Tuomas Eerola
    (pp. 311-317) DOI: 10.1525/mp.2012.29.3.311
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    Review
    W. Jay Dowling
    (pp. 319-321) DOI: 10.1525/mp.2012.29.3.319
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    Dirk-Jan Povel (1940-2011)
    Mari Riess Jones, Richard D. Ashley
    (pp. 323-324) DOI: 10.1525/mp.2012.29.3.323
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    Steve Larson (1955-2011)
    Elizabeth West Marvin
    (p. 325) DOI: 10.1525/mp.2012.29.3.325
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Music Perception: An Interdisciplinary Journal: 29 (3)
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  • Pleasant Musical Imagery
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Musical Activity and Well-being
  • Examining the Effect of Oral Transmission on Folksongs
  • The Distinctiveness Effect in the Recognition of Whole Melodies
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