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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 28 No. 4, April 2011

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    The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads
    Richard Parncutt
    (pp. 333-366) DOI: 10.1525/mp.2011.28.4.333
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    Illusory Tempo Changes Due to Musical Characteristics
    Marilyn G. Boltz
    (pp. 367-386) DOI: 10.1525/mp.2011.28.4.367
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    Modeling Pattern Importance in Chopin's Mazurkas
    Tom Collins, Robin Laney, Alistair Willis, Paul H. Garthwaite
    (pp. 387-414) DOI: 10.1525/mp.2011.28.4.387
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    Waveform Circularity from Added Sawtooth and Square Wave Acoustical Signals
    Bogusław Fugiel
    (pp. 415-424) DOI: 10.1525/mp.2011.28.4.415
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    The Persistence of Musical Memories: A Descriptive Study of Earworms
    Andrea R. Halpern, James C. Bartlett
    (pp. 425-432) DOI: 10.1525/mp.2011.28.4.425
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    Back Matter
    (pp. 433-443) DOI: 10.1525/mp.2011.28.4.433
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    Erratum
    (p. 444) DOI: 10.1525/mp.2011.28.4.444
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Music Perception: An Interdisciplinary Journal: 28 (4)
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  • Pleasant Musical Imagery
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Musical Activity and Well-being
  • Examining the Effect of Oral Transmission on Folksongs
  • The Distinctiveness Effect in the Recognition of Whole Melodies
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