Music Perception: An Interdisciplinary Journal: 28 (3)

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Peak Experiences with Electronic Dance Music: Subjective Experiences, Physiological Responses, and Musical Characteristics of the Break Routine
Ragnhild Torvanger Solberg, Nicola Dibben
2019, 36(4), pp. 371-389

Vol. 28 No. 3, February 2011

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Musical Tension and the Interaction of Dynamic Auditory Parameters
Roni Y. Granot, Zohar Eitan

(pp. 219-246) DOI: 10.1525/mp.2011.28.3.219
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Experiential and Cognitive Changes Following Seven Minutes Exposure to Music and Speech
Gabriela Ilie, William Forde Thompson

(pp. 247-264) DOI: 10.1525/mp.2011.28.3.247
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Analysis-By-Synthesis of Timbre, Timing, and Dynamics in Expressive Clarinet Performance
Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Søølvi Ystad

(pp. 265-278) DOI: 10.1525/mp.2011.28.3.265
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Individual Differences in the Enjoyment of Negative Emotion in Music: A Literature Review and Experiment
Sandra Garrido, Emery Schubert

(pp. 279-296) DOI: 10.1525/mp.2011.28.3.279
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Music is in the Muscle: How Embodied Cognition May Influence Music Preferences
Peter Sedlmeier, Oliver Weigelt, Eva Walther

(pp. 297-306) DOI: 10.1525/mp.2011.28.3.297
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A Comparison of Rhythm in English Dialects and Music
Rebecca W. McGowan, Andrea G. Levitt

(pp. 307-314) DOI: 10.1525/mp.2011.28.3.307
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Music Notation, But Not Action on a Keyboard, Influences Pianists' Judgments of Ambiguous Melodies
Bruno H. Repp, Robert M. Goehrke

(pp. 315-320) DOI: 10.1525/mp.2011.28.3.315
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Information for Authors
(pp. 321-332) DOI: 10.1525/mp.2011.28.3.321

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