Music Perception: An Interdisciplinary Journal: 21 (3)

Vol. 21 No. 3, Spring 2004

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Editor's Note
Lola L. Cuddy

(p. 283) DOI: 10.1525/mp.2004.21.3.283
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Guest Editorial
Diana Deutsch

(pp. 285-287) DOI: 10.1525/mp.2004.21.3.285
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Music and Language: A Developmental Comparison
ERIN MCMULLEN, JENNY R. SAFFRAN

(pp. 289-311) DOI: 10.1525/mp.2004.21.3.289
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Communicative Pressure and the Evolution of Musical Styles
DAVID TEMPERLEY

(pp. 313-337) DOI: 10.1525/mp.2004.21.3.313
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Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework
DIANA DEUTSCH, TREVOR HENTHORN, MARK DOLSON

(pp. 339-356) DOI: 10.1525/mp.2004.21.3.339
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Speech Patterns Heard Early in Life Influence Later Perception of the Tritone Paradox
DIANA DEUTSCH, TREVOR HENTHORN, MARK DOLSON

(pp. 357-372) DOI: 10.1525/mp.2004.21.3.357
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Singing in the Brain: Insights from Cognitive Neuropsychology
ISABELLE PERETZ, LISE GAGNON, SYLVIE HÉÉBERT, JOËËL MACOIR

(pp. 373-390) DOI: 10.1525/mp.2004.21.3.373
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Problem-Solving Strategies in Music Composition: A Case Study
STEPHEN McADAMS

(pp. 391-429) DOI: 10.1525/mp.2004.21.3.391
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From Sounds To Music: The Contextualizations of Pitch
WILLIAM THOMSON

(pp. 431-456) DOI: 10.1525/mp.2004.21.3.431

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