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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 21 No. 3, Spring 2004

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    Editor's Note
    Lola L. Cuddy
    (p. 283) DOI: 10.1525/mp.2004.21.3.283
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    Guest Editorial
    Diana Deutsch
    (pp. 285-287) DOI: 10.1525/mp.2004.21.3.285
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    Music and Language: A Developmental Comparison
    ERIN MCMULLEN, JENNY R. SAFFRAN
    (pp. 289-311) DOI: 10.1525/mp.2004.21.3.289
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    Communicative Pressure and the Evolution of Musical Styles
    DAVID TEMPERLEY
    (pp. 313-337) DOI: 10.1525/mp.2004.21.3.313
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    Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework
    DIANA DEUTSCH, TREVOR HENTHORN, MARK DOLSON
    (pp. 339-356) DOI: 10.1525/mp.2004.21.3.339
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    Speech Patterns Heard Early in Life Influence Later Perception of the Tritone Paradox
    DIANA DEUTSCH, TREVOR HENTHORN, MARK DOLSON
    (pp. 357-372) DOI: 10.1525/mp.2004.21.3.357
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    Singing in the Brain: Insights from Cognitive Neuropsychology
    ISABELLE PERETZ, LISE GAGNON, SYLVIE HÉÉBERT, JOËËL MACOIR
    (pp. 373-390) DOI: 10.1525/mp.2004.21.3.373
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    Problem-Solving Strategies in Music Composition: A Case Study
    STEPHEN McADAMS
    (pp. 391-429) DOI: 10.1525/mp.2004.21.3.391
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    From Sounds To Music: The Contextualizations of Pitch
    WILLIAM THOMSON
    (pp. 431-456) DOI: 10.1525/mp.2004.21.3.431
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Music Perception: An Interdisciplinary Journal: 21 (3)
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  • Pleasant Musical Imagery
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Musical Activity and Well-being
  • Examining the Effect of Oral Transmission on Folksongs
  • The Distinctiveness Effect in the Recognition of Whole Melodies
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