Skip to main content

  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
    • Registered Reports
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
    • Registered Reports
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us
Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Pitch versus Brightness of Timbre: Detecting Combined Shifts in Fundamental and Formant Frequency
Laurent Demany, Catherine Semal
Music Perception: An Interdisciplinary Journal, Vol. 11 No. 1, Fall, 1993; (pp. 1-13) DOI: 10.2307/40285596
Laurent Demany
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
Catherine Semal
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
  • Article
  • Info & Metrics
  • PDF
PreviousNext
Loading

Abstract

The pitch of a periodic tone depends on its fundamental frequency (F0), and the brightness of its timbre depends on the centroid of its power spectrum (Fc). The goal of the present study was to determine whether small shifts in F0 and in Fc are detected independently of each other. The standard tone used had an F0 of 400 Hz, five harmonics (400-2000 Hz), and a triangular spectral envelope peaking at an Fc of 1000 Hz. With a forced-choice adaptive procedure, detection thresholds were measured for (1) shifts in F0 alone (Fc being fixed), (2) shifts in Fc alone (F0 being fixed), and (3) combined shifts in F0 and Fc. The two components of the combined shifts were chosen to have the same level of detectability when presented alone. Overall, as expected from the independence model, the combined shifts were not better detected when their two components had the same direction (F0 and Fc both increase, or both decrease) than when they had opposite directions. However, substantial differences between subjects were observed with respect to the perceptual integration of shifts in F0 and in Fc.

Log in using your username and password

Forgot your user name or password?

Log in through your institution

You may be able to gain access using your login credentials for your institution. Contact your library if you do not have a username and password.

Purchase access

PreviousNext
Back to top

Vol. 11 No. 1, Fall, 1993

Music Perception: An Interdisciplinary Journal: 11 (1)
  • Table of Contents
eTOC Alert

RSSRSS Icon

Email

Thank you for your interest in spreading the word on Music Perception.

NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.

Enter multiple addresses on separate lines or separate them with commas.
Pitch versus Brightness of Timbre: Detecting Combined Shifts in Fundamental and Formant Frequency
(Your Name) has sent you a message from Music Perception
(Your Name) thought you would like to see the Music Perception web site.
Alerts
Sign In to Email Alerts with your Email Address
Citation Tools
Pitch versus Brightness of Timbre: Detecting Combined Shifts in Fundamental and Formant Frequency
Laurent Demany, Catherine Semal
Music Perception: An Interdisciplinary Journal, Vol. 11 No. 1, Fall, 1993; (pp. 1-13) DOI: 10.2307/40285596
Laurent Demany
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
Catherine Semal
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site

Citation Manager Formats

  • BibTeX
  • Bookends
  • EasyBib
  • EndNote (tagged)
  • EndNote 8 (xml)
  • Medlars
  • Mendeley
  • Papers
  • RefWorks Tagged
  • Ref Manager
  • RIS
  • Zotero
Share
Pitch versus Brightness of Timbre: Detecting Combined Shifts in Fundamental and Formant Frequency
Laurent Demany, Catherine Semal
Music Perception: An Interdisciplinary Journal, Vol. 11 No. 1, Fall, 1993; (pp. 1-13) DOI: 10.2307/40285596
Laurent Demany
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
Catherine Semal
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
del.icio.us logo Digg logo Reddit logo Technorati logo Twitter logo CiteULike logo Facebook logo Google logo Mendeley logo
View Full Page PDF
  • Tweet Widget
  • Facebook Like
  • Google Plus One
  • Top
  • Article
  • Info & Metrics
  • PDF

Related Articles

Cited By...

Similar Articles

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Subscriptions and Single Issues

Copyright © 2019 by the Regents of the University of California  Privacy   Accessibility