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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Table of Contents

Vol. 10 No. 2, Winter, 1992

  • You have accessRestricted access
    Front Matter
    DOI: 10.2307/40285603
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    Back Matter
    DOI: 10.2307/40285610
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    Critical Bands and the Spelling of Vertical Sonorities
    David Huron, Peter Sellmer
    (pp. 129-149) DOI: 10.2307/40285604
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    Perceptual Invariances in the Comparative Psychology of Music
    Stewart H. Hulse, Annie H. Takeuchi, Richard F. Braaten
    (pp. 151-184) DOI: 10.2307/40285605
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    Force Dynamics of Tempo Change in Music
    Jacob Feldman, David Epstein, Whitman Richards
    (pp. 185-203) DOI: 10.2307/40285606
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    Major/Minor Triad Identification and Discrimination by Musically Trained and Untrained Listeners
    David Howard, Stuart Rosen, Victoria Broad
    (pp. 205-220) DOI: 10.2307/40285607
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    A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment
    Bruno H. Repp
    (pp. 221-241) DOI: 10.2307/40285608
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    Review
    David Butler
    (pp. 243-251) DOI: 10.2307/40285609
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Music Perception: An Interdisciplinary Journal: 10 (2)
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  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
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  • The Distinctiveness Effect in the Recognition of Whole Melodies
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