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Music Perception

New Submission Type

NEW! Registered Reports

Supporting Open Science

Special Article

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    Absolute Pitch and the P300 Component of the Event-Related Potential: An Exploration of Variables That May Account for Individual Differences
    Laura Bischoff Renninger, Roni I. Granot, Emanuel Donchin
    Summer 2003, Vol. 20 No. 4, (pp. 357-382) DOI: 10.1525/mp.2003.20.4.357
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    Intonation of Harmonic Intervals: Adaptability of Expert Musicians to Equal Temperament and Just Intonation
    Reinhard Kopiez
    Summer 2003, Vol. 20 No. 4, (pp. 383-410) DOI: 10.1525/mp.2003.20.4.383
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    Pitch Spelling: A Computational Model
    Emilios Cambouropoulos
    Summer 2003, Vol. 20 No. 4, (pp. 411-429) DOI: 10.1525/mp.2003.20.4.411
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    The Role of Melodic and Rhythmic Accents in Musical Structure
    Peter Q. Pfordresher
    Summer 2003, Vol. 20 No. 4, (pp. 431-464) DOI: 10.1525/mp.2003.20.4.431
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    "Seeing the Big Picture": Piano Practice as Expert Problem Solving
    Roger Chaffin, Gabriella Imreh, Anthony F. Lemieux, Colleen Chen
    Summer 2003, Vol. 20 No. 4, (pp. 465-490) DOI: 10.1525/mp.2003.20.4.465
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    On the Contextual Appropriateness of Expression
    Renee Timmers
    Spring 2003, Vol. 20 No. 3, (pp. 225-240) DOI: 10.1525/mp.2003.20.3.225
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    Perceptual Dynamics of Circular Pitch
    J. Giangrand, B. Tuller, J. A. S. Kelso
    Spring 2003, Vol. 20 No. 3, (pp. 241-262) DOI: 10.1525/mp.2003.20.3.241
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    Musical Chords as Affective Priming Context in a Word-Evaluation Task
    Bernhard Sollberge, Rolf Rebe, Doris Eckstein
    Spring 2003, Vol. 20 No. 3, (pp. 263-282) DOI: 10.1525/mp.2003.20.3.263
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    Online Detection of Tonal Pop-Out in Modulating Contexts
    Petr Janata, Jeffrey L. Birk, Barbara Tillmann, Jamshed J. Bharucha
    Spring 2003, Vol. 20 No. 3, (pp. 283-305) DOI: 10.1525/mp.2003.20.3.283
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    Time Tagging: A Key to Musicians' Superior Memory
    Lorna S. Jakobson, Lola L. Cuddy, Andrea R. Kilgour
    Spring 2003, Vol. 20 No. 3, (pp. 307-313) DOI: 10.1525/mp.2003.20.3.307

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