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Music Perception

SPOTLIGHT ON

Playing Together, Apart: Musicians’ Experiences of Physical Separation in a Classical Recording Session
Miriam Iorwerth & Don Knox
February 2019, 36(3), 289-299

 

Table of Contents

Vol. 8 No. 3, Spring, 1991

  • You have accessRestricted access
    Front Matter
    DOI: 10.2307/40285499
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    Back Matter
    DOI: 10.2307/40285506
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    Music Perception and Sensory Information Acquisition: Relationships and Low-Level Analogies
    Ernst Terhardt
    (pp. 217-239) DOI: 10.2307/40285500
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    Perceptual Analyses of Ravel's "Bolero"
    Miki Asada, Kengo Ohgushi
    (pp. 241-249) DOI: 10.2307/40285501
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    Assessment of Musical Performance by Using the Method of Continuous Judgment by Selected Description
    Seiichiro Namba, Sonoko Kuwano, Tadasu Hatoh, Mariko Kato
    (pp. 251-275) DOI: 10.2307/40285502
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    Melodic and Nonmelodic Sequences of Tones: Effects of Duration on Perception
    Richard M. Warren, Daniel A. Gardner, Bradley S. Brubaker, James A. Bashford,, Jr.
    (pp. 277-289) DOI: 10.2307/40285503
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    Dynamic Pitch Perception for Complex Tones of Periodic Spectral Patterns
    Yoshitaka Nakajima, Hiroyuki Minami, Takashi Tsumura, Hiroshi Kunisaki, Shigeki Ohnishi, Ryunen Teranishi
    (pp. 291-314) DOI: 10.2307/40285504
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    Accent Structures in the Reproduction of Simple Tunes by Children and Adult Pianists
    Carolyn Drake, W. Jay Dowling, Caroline Palmer
    (pp. 315-334) DOI: 10.2307/40285505
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Music Perception: An Interdisciplinary Journal: 8 (3)
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  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Emotional Connotations of Diatonic Modes
  • Absolute Pitch and Relative Pitch in Music Students in the East and the West
  • Emotion and Meaning in Music
  • Psychological and Musical Factors Underlying Engagement with Unfamiliar Music
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