Music Perception: An Interdisciplinary Journal: 8 (3)

Vol. 8 No. 3, Spring, 1991

You have accessRestricted access
Front Matter
DOI: 10.2307/40285499
You have accessRestricted access
Back Matter
DOI: 10.2307/40285506
You have accessRestricted access
Music Perception and Sensory Information Acquisition: Relationships and Low-Level Analogies
Ernst Terhardt

(pp. 217-239) DOI: 10.2307/40285500
You have accessRestricted access
Perceptual Analyses of Ravel's "Bolero"
Miki Asada, Kengo Ohgushi

(pp. 241-249) DOI: 10.2307/40285501
You have accessRestricted access
Assessment of Musical Performance by Using the Method of Continuous Judgment by Selected Description
Seiichiro Namba, Sonoko Kuwano, Tadasu Hatoh, Mariko Kato

(pp. 251-275) DOI: 10.2307/40285502
You have accessRestricted access
Melodic and Nonmelodic Sequences of Tones: Effects of Duration on Perception
Richard M. Warren, Daniel A. Gardner, Bradley S. Brubaker, James A. Bashford,, Jr.

(pp. 277-289) DOI: 10.2307/40285503
You have accessRestricted access
Dynamic Pitch Perception for Complex Tones of Periodic Spectral Patterns
Yoshitaka Nakajima, Hiroyuki Minami, Takashi Tsumura, Hiroshi Kunisaki, Shigeki Ohnishi, Ryunen Teranishi

(pp. 291-314) DOI: 10.2307/40285504
You have accessRestricted access
Accent Structures in the Reproduction of Simple Tunes by Children and Adult Pianists
Carolyn Drake, W. Jay Dowling, Caroline Palmer

(pp. 315-334) DOI: 10.2307/40285505

Table of Contents