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Music Perception

SPOTLIGHT ON

Playing Together, Apart: Musicians’ Experiences of Physical Separation in a Classical Recording Session
Miriam Iorwerth & Don Knox
February 2019, 36(3), 289-299

 

Table of Contents

Vol. 31 No. 3, December 2012

  • You have accessRestricted access
    Introduction to the Second Special Issue on Corpus Methods
    Leigh VanHandel, David Temperley
    (p. 191) DOI: 10.1525/mp.2014.31.3.191
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    “Historically Informed” Corpus Studies
    Robert O. Gjerdingen
    (pp. 192-204) DOI: 10.1525/mp.2014.31.3.192
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    Koch’s Metrical Theory and Mozart’s MusicA Corpus Study
    John Paul Ito
    (pp. 205-222) DOI: 10.1525/mp.2014.31.3.205
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    A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750
    Joshua D. Albrecht, David Huron
    (pp. 223-243) DOI: 10.1525/mp.2014.31.3.223
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    Changing Styles, Changing Corpora, Changing Tonal Models
    Christopher Wm. White
    (pp. 244-253) DOI: 10.1525/mp.2014.31.3.244
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    The Tonal-Metric HierarchyA Corpus Analysis
    Jon B. Prince, Mark A. Schmuckler
    (pp. 254-270) DOI: 10.1525/mp.2014.31.3.254
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    How Jazz Musicians ImproviseThe Central Role of Auditory and Motor Patterns
    Martin Norgaard
    (pp. 271-287) DOI: 10.1525/mp.2014.31.3.271
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    Surveying the Temporal Structure of Sounds Used in Music Perception
    Michael Schutz, Jonathan M. Vaisberg
    (pp. 288-296) DOI: 10.1525/mp.2014.31.3.288
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Music Perception: An Interdisciplinary Journal: 31 (3)
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  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
  • Emotional Connotations of Diatonic Modes
  • Absolute Pitch and Relative Pitch in Music Students in the East and the West
  • Emotion and Meaning in Music
  • Psychological and Musical Factors Underlying Engagement with Unfamiliar Music
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