Music Perception: An Interdisciplinary Journal: 31 (3)

Vol. 31 No. 3, December 2012

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Introduction to the Second Special Issue on Corpus Methods
Leigh VanHandel, David Temperley

(p. 191) DOI: 10.1525/mp.2014.31.3.191
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“Historically Informed” Corpus Studies
Robert O. Gjerdingen

(pp. 192-204) DOI: 10.1525/mp.2014.31.3.192
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Koch’s Metrical Theory and Mozart’s MusicA Corpus Study
John Paul Ito

(pp. 205-222) DOI: 10.1525/mp.2014.31.3.205
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A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750
Joshua D. Albrecht, David Huron

(pp. 223-243) DOI: 10.1525/mp.2014.31.3.223
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Changing Styles, Changing Corpora, Changing Tonal Models
Christopher Wm. White

(pp. 244-253) DOI: 10.1525/mp.2014.31.3.244
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The Tonal-Metric HierarchyA Corpus Analysis
Jon B. Prince, Mark A. Schmuckler

(pp. 254-270) DOI: 10.1525/mp.2014.31.3.254
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How Jazz Musicians ImproviseThe Central Role of Auditory and Motor Patterns
Martin Norgaard

(pp. 271-287) DOI: 10.1525/mp.2014.31.3.271
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Surveying the Temporal Structure of Sounds Used in Music Perception
Michael Schutz, Jonathan M. Vaisberg

(pp. 288-296) DOI: 10.1525/mp.2014.31.3.288

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