Congratulations to Music Perception Editor Lola Cuddy, recipient of the 2015 Society for Music Perception and Cognition's Lifetime Achievement Award! Read more.

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Additional Forthcoming Articles (Corresponding Author in Parentheses)

Impaired Explicit Processing of Musical Syntax and Tonality in a Group of Mandarin-speaking Congenital Amusics
CUNMEI JIANG, FANG LIU, & WILLIAM FORDE THOMPSON (cunmeijiang@126.com)

Non-linear Changes in the Rhythm of European Art Music: Quantitative Support for Historical Musicology
NIELS CHR. HANSEN, MAKIKO SADAKATA, & MARCUS PEARCE (nch@musikkons.dk)

Emotions Perceived and Emotions Experienced in Response to Computer-generated Music
MACIEJ KOMOSINSKI & AGNIESZKA MENSFELT (maciej.komosinski@cs.put.poznan.pl)

Instrument-specific Effects of Musical Expertise on Audiovisual Processing (Clarinet vs. Violin)
A. M. PROVERBIO & A. ORLANDI (mado.proverbio@unimib.it)

Interaction of Sight and Sound in the Perception and Experience of Musical Performance
JONNA K. VUOSKOSKI, MARC R. THOMPSON, CHARLES SPENCE, & ERIC F. CLARKE (jonna.vuoskoski@music.ox.ac.uk)

Repetition Enhances the Musicality of Randomly Generated Tone Sequences
ELIZABETH HELLMUTH MARGULIS & RHIMMON SIMCHY-GROSS (ehm@uark.edu)

Perceived and Induced Emotion Responses to Popular Music: Categorical and Dimensional Models
YADING SONG, SIMON DIXON, MARCUS T. PEARCE, & ANDREA R. HALPERN (songyading@gmail.com)

Evaluation of an Interactive Music Awareness Program for Cochlear Implant Recipients
RACHEL M. VAN BESOUW, BENAJAMIN R. OLIVER, MARY L. GRASMEDER, SARAH H. HODKINSON, & HEIDI SOLHEIM (rvb@isvr.soton.ac.uk)

Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music
JAN STUPACHER, MICHAEL J. HOVE, & PETR JANATA (jan.stupacher@uni-graz.at)

Singing without Hearing: The Use of Auditory and Motor Information when Singers, Instrumentalists and Non-musicians Sing a Familiar Tune
AYSU ERDEMIR & JOHN J. RIESER (aysu.erdemir@vanderbilt.edu)

Creating Under Pressure: Effects of Divided Attention on the Improvised Output of Skilled Jazz Pianists
MARTIN NORGAARD, SAMANTHA N. EMERSON, KIMBERLY DAWN BRAUNSROTH, & JAMES D. FIDLON (mnorgaard@gsu.edu)

Tempo in Baroque Music and Dance
ESTHER COOREVITS & DIRK MOELANTS (esther.coorevits@ugent.be)

The Influence of Contextual Cues on Cultural Bias in Music Memory
STEVEN M. DEMOREST, STEVEN J. MORRISON, VU Q. NGUYEN, & ERIN N. BODNAR (sdemorest@northwestern.edu)

Cues to Perceiving Tonal Stability in Music: The Role of Temporal Structure
MATTHEW A. ROSENTHAL & ERIN E. HANNON (erin.hannon@unlv.edu)

Interkey Distances Also Shorten Subjective Time Reproductions in Real Modulating Tonal Music
ÉRICO ARTIOLI FIRMINO & JOSÉ LINO OLIVEIRA BUENO (erico.af@hotmail.com)

System & Contrast: A Polymorphous Model of the Inner Organization of Structural Segments within Music Pieces
FRÉDÉRIC BIMBOT, EMMANUEL DERUTY, GABRIEL SARGENT, & EMMANUEL VINCENT (frederic.bimbot@irisa.fr)

Examining Rater Precision in Music Performance Assessment: An Analysis of Rating Scale Structure Using the Multifaceted Rasch Partial Credit Model
BRIAN C. WESOLOWSKI, STEFANIE A. WIND, & GEORGE ENGELHARD, JR.

Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord
MEGHAN GOODCHILD, BRUNO GINGRAS, & STEPHEN McADAMS (meghan.goodchild@mail.mcgill.ca)

Motor and Audiovisual Learning Consolidate Auditory Memory of Tonally Ambiguous Melodies
ANDREA SCHIAVIO & RENEE TIMMERS (a.schiavio@sheffield.ac.uk)

Language Priming by Music and Speech: Evidence of a Shared Processing Mechanism
MELISSA K. JUNGERS, JULIE M. HUPP, & SARA D. DICKERSON

Moving Music: Correspondences of Musical Parameters and Movement Dimensions in Children's Motion and Verbal Responses
DAFNA KOHN & ZOHAR EITAN (zeitan@post.tau.ac.il)

Hearing the Beat: Young Children's Perceptual Sensitivity to Beat Alignment Varies According to Metric
Structure
KATHLEEN M. EINARSON & LAUREL J. TRAINOR

Memory of a Tonal Center after Modulation
MORWAREAD M. FARBOOD

Rhythm in the Speech and Music of Jazz and Riddim Musicians
ANGELA CARPENTER & ANDREA G. LEVITT

Reviews of You are the Music (by Vicky Williamson) and Music, Thought and Feeling (by William Thompson)
RORY ALLEN & PAMELA HEATON

Modeling Perceptions of Valence in Diverse Music: Roles of Acoustic Features, Agency and Individual Variation
ROGER T. DEAN & FREYA BAILES

The Asymmetrical Influence of Timing Asynchrony of Bass Guitar and Drum Sounds on Groove
SOYOGU MATSUSHITA & SHINGO NOMURA

Pitch Error Coding The Sight Read, Practice, and Performance of an Elite Oboist: Developing a Protocol Based on the Serial Distance Hypothesis, Implication-Realization Model, and Schema Theory
DEBORAH L. E. de GRAAFF & EMERY SCHUBERT

Association of Meaning in Program Music: On Denotation, Inherence, and Onomatopoeia
MIHAILO ANTOVIĆ, DUŠAN STAMENKOVIĆ, & VLADIMIR FIGAR

Current Issue

Music Perception: An Interdisciplinary Journal: 33 (2)

Vol. 33 No. 2
Table of Contents

ISSN: 0730-7829
eISSN: 1533-8312
Impact Factor: 2.000
Frequency: Five times annually
Published: September, December, February, April, June

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About the Journal

Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research, drawing on fields including psychology, psychophysics, linguistics, neurology, neurophysiology, artificial intelligence, computer technology, physical and architectural acoustics, and music theory.

Coming February 2016

MILESTONES IN MUSIC COGNITION - PART II

The Psychological Representation of Musical Intervals in a Twelve-Tone Context by JENINE L. BROWN

Auditory Scene Analysis and the Perception of Sound Mass in Ligeti's Continuum by CHELSEA DOUGLAS, JASON NOBLE, & STEPHEN McADAMS

Effects of Repetition on Attention in Two-Part Counterpoint by CECILIA TAHER, RENE RUSCH, & STEPHEN McADAMS 

A Neurodynamic Account of Musical Tonality by EDWARD W. LARGE, JI CHUL KIM, NICOLE KRISTINE FLAIG, JAMSHED J. BHARUCHA, & CAROL LYNNE KRUMHANSL

Roll Over Beethoven? An Initial Investigation of Listeners’ Perception of Chords Used in Rock Music by LINCOLN G. CRATON, DANIEL S. JUERGENS, HANNAH R. MICHALAK, & CHRISTOPHER R. POIRIER 

Playing with the Edge: Tipping Points and the Role of Tonality by ELAINE CHEW

Real-Time Probing of Modulations in South Indian Classical (Carnātic) Music by Indian and Western Musicians by RACHNA RAMAN & W. JAY DOWLING